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Pezeshkian admin says infiltration bill violates rights, could drive brain drain

Niloufar Goudarzi
Niloufar Goudarzi

Iran International

Aug 19, 2026, 14:23 GMT+1

President Masoud Pezeshkian's government has formally opposed a bill aimed at countering foreign intelligence infiltration, saying it violates citizens' rights, restricts academic ties and could accelerate the emigration of Iranian experts and researchers.

Iranian lawmakers on Sunday, August 16, approved the general principles of the "Plan to Counter the Infiltration of Intelligence Services and Foreign Governments or Institutions" by 183 votes in favor, four against and five abstentions.

The vote means parliament approved the proposal in principle but has not yet approved its individual articles or penalties. The publicly available version contains 19 articles, though lawmakers have said the details have not been finalized.

Majid Ansari, President Masoud Pezeshkian's vice president for legal affairs, said on Wednesday that the cabinet had reviewed the proposal in October last year, and sent its formal opposition to parliament because of what he described as fundamental problems in its provisions.

"The government's official position is opposition to this proposal," Ansari told the state-run IRNA news agency.

Government cites rights concerns

Ansari said the proposal conflicted with several constitutional principles covering citizens' rights, fundamental rights and individual freedoms, and in some cases was also inconsistent with Sharia law.

He said the measure would sharply restrict academic contacts between Iranian universities, researchers and specialists and institutions abroad.

"To achieve the country's important scientific goals, we must work to facilitate communication and the exchange of scientific information, but the provisions of this proposal will create serious restrictions on the country's scientific growth and development," he said.

Ansari said researchers, doctors and academics need ties with international institutions to prevent their work from becoming stagnant and warned that broad restrictions on contacts could push more specialists to leave Iran.

"If every type of contact and communication faces restrictions and is criminalized by law, naturally they will prefer to migrate and carry out their scientific and research activities in a free environment," Ansari said.

Government says existing laws are enough

The Pezeshkian government said Iran already has laws and security agencies with powers to deal with foreign intelligence activity and does not need new legislation in its current form.

Ansari said any new legislation should instead be prepared with the participation of the government and judiciary and submitted as a government bill after legal, judicial, social and political review.

He called on parliament to remove the proposal from its agenda or subject it to a more detailed two-stage review, saying its broad criminal provisions required input from the judiciary.

Draft restricts foreign contacts

The publicly available draft extends beyond acts normally associated with espionage and covers a wide range of contacts between Iranians and foreign individuals and institutions.

One provision would require individuals, private companies and state bodies to notify authorities and receive written permission from the Foreign Ministry, or an Iranian embassy or consulate abroad, before contacts with foreign embassies, offices or non-Iranian organizations inside or outside Iran.

The draft provides limited exemptions for matters including civil registration and personal-status issues. Violations could result in fines and restrictions on social rights.

Another article would ban providing information, reports or statistics to foreign intelligence services, non-Iranian groups or institutions, or foreign nationals without permission from the Intelligence Ministry. It provides for prison terms and, in some cases, a permanent ban from the job through which the information was obtained or supplied.

The draft would also make sending photographs, video, audio or other data to non-Iranian media or people engaged in media work outside Iran punishable by prison.

Interviews or other communication with some US- or Israeli-funded media would also be punishable by prison, while interviews with other foreign media would have to be reported to an Intelligence Ministry system.

Foreign visitors and academic ties

The proposal also contains restrictions affecting foreign nationals in Iran.

Foreigners who enter or remain in Iran without completing required legal procedures could be deported and fined the equivalent of 10,000 euros.

Foreign nationals who entered legally but carried out cultural activities deemed contrary to national security or the state's general policies could face the same penalties. Other offenses committed by foreign nationals in Iran could carry penalties one degree more severe than otherwise prescribed.

The Intelligence Ministry would also be required to publish each year a list of foreign governments, universities and institutions approved for scholarships, grants, academic agreements, conferences and other scientific cooperation.

Scientific cooperation with universities or institutions not on that list, as well as sending medical, research or archaeological samples to them, could result in a prison sentence.

Supporters say measure is needed after wars

Mohammad Saleh Jokar, a lawmaker from Yazd and head of parliament's Internal Affairs and Councils Committee, defended the need for stronger measures against infiltration but said the details of the proposal had not yet been finalized.

Jokar said Iran had suffered major damage from infiltration before and during what he called the 12-day war with Israel and the US last year and the 40-day war with the US this year, adding that foreign adversaries had used different channels to collect information.

He said the assassinations of a number of Iranian commanders and officials were linked to infiltration and said hostile networks inside Iran had used messages, money, weapons and other resources to pursue their objectives.

Jokar said parliament needed to identify and close routes used for infiltration, whether they involved a physical or virtual presence inside the country.

But he also said the proposal's individual provisions required detailed consideration by lawmakers and rejected suggestions that the currently circulating text had been finalized.

Legal scholar warns of vague offenses

Mohsen Borhani, a prominent legal scholar and faculty member at the University of Tehran's law school, also sharply criticized the proposal.

Borhani said its wording was vague and could put the freedom of citizens, academics, political and social activists and artists at risk.

He pointed to language in the draft covering acts such as "showing a dark image of the country," promoting what authorities consider "anti-Islamic culture," taking part in courses deemed incompatible with Iranian culture and making policy proposals considered contrary to the state's fundamental interests.

The draft provides penalties for some cultural activity carried out under foreign direction, including permanent restrictions on some artistic work, and provides prison sentences for some educational courses and workshops involving specified foreign institutions.

Article 1 also provides lengthy prison terms for some policy or legislative proposals made under foreign direction if authorities determine they damaged national security, fundamental state interests, public trust or electoral participation.

Borhani said such broad wording could allow selective enforcement and urged the government, the Science Ministry, the Culture Ministry and other institutions to oppose the measure.

Criticism spreads on social media

Some Iranian social media users also reacted with alarm after parliament's Sunday vote, focusing on the proposal's restrictions on education, media contacts and links with the outside world.

"The biggest point in the proposal is that it lays the groundwork for closing off scholarships for Iranian students," one user on X wrote.

Another user described the measure as "cutting ties with the world on the path to turning Iran into North Korea," saying the proposal could bring media, scientific and civil contacts with foreign institutions under tighter security control.

"Welcome to the world's largest prison," another user wrote, pointing to proposed prison terms for interviews with some US media and restrictions on contact with foreign embassies without government permission.

The posts reflected concern among some social media users that the proposal could sharply restrict academic, media and civil contacts with organizations outside Iran. They do not represent a scientific measure of Iranian public opinion.

The draft remains subject to change. Parliament's vote on Sunday approved only its general principles, and lawmakers have not yet approved the individual articles or penalties contained in the publicly available text.

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An Iranian film broke every taboo. Viewers say society broke them first

Aug 19, 2026, 11:39 GMT+1
•
Hooman Abedi
100%
A scene from Bidad. Courtesy of the Karlovy Vary International Film Festival.

An Iranian film made in defiance of the censors reached YouTube last week, and the argument it started was not the one its makers might have expected: many viewers are asking not whether Bidad goes too far, but whether it goes far enough for the country it depicts.

For some viewers, Soheil Beiraghi's fourth feature puts a recognizable Iran on screen for the first time in years: women without mandatory hijab, men and women embracing, underground music, and a young singer who refuses to accept that her voice cannot be heard.

Others reached almost the opposite conclusion, arguing that the film trails the society it means to portray, or that its accumulation of drugs, alcohol, sex and broken relationships pulls focus from what Iranians are actually living through.

"I watched the film. The story is deeply moving, and it reflects what we are living through as a society," one user wrote on Iran International's Instagram page, praising its defiance of taboos while criticizing some of its dialogue and pacing.

Another called it simply "behind society," arguing that Iranians now have "much, much more serious" concerns than the ones on screen.

The split has turned a film into an argument about something larger than cinema: the widening distance between what Iran's censors forbid, what filmmakers can now show by ignoring them, and what audiences already consider ordinary life.

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A scene from Bidad. Courtesy of the Karlovy Vary International Film Festival.

When the street becomes the stage

Bidad follows Seti, played by Sarvin Zabetian, an aspiring singer whose ambitions collide with the restrictions on women's voices.

"You can't hear my voice," she protests to a music teacher early in the film, and is told that female singers may not be louder than the men accompanying them.

Seti refuses the compromise. She ends up singing in the street, where passers-by film her and circulate the clips, turning her into an emblem of a generation increasingly willing to take in public what official institutions withhold.

  • Made without permission: how Iran’s underground cinema owned 2025

    Made without permission: how Iran’s underground cinema owned 2025

Making the film carried a price. Security agents raided the production office and seized equipment and recorded material, and Beiraghi and several cast and crew members faced prosecution.

The director received a prison sentence later converted into a fine; Zabetian and Leili Rashidi, who plays Seti's mother, were also sentenced, while other defendants were acquitted.

The film went on to win the Special Jury Prize at the Karlovy Vary International Film Festival before its release online.

Have the taboos already changed?

For some Iranian viewers, the value of Bidad lies in showing what approved cinema has never managed to.

"Just the fact that they weren't wearing scarves or headscarves at home was very good," one Instagram commenter wrote, describing the film as all the more bitter for being drawn from life. Another called it the "reality of our lives as women" in Iran.

Others questioned whether those images still transgress anything. One wrote that the film addresses concerns belonging to an earlier phase of Iranian society and has failed to keep pace with what people now demand.

Mohammad Abdi, a writer and film critic, places Bidad within Iran's underground cinema but argues that Beiraghi has gone further than his peers by abandoning the compromises censorship imposes.

"The important point is that, when it comes to the government, the film stops compromising and speaks very directly about a generation that is tired and is taking its demands to the street," Abdi told Iran International.

He rejected suggestions by some commenters that the film reflects a reformist outlook, pointing to Seti's journey from negotiating within the rules to carrying her demand into the open.

"The film is actually about moving beyond reformism," Abdi said. "She goes through all these tests until she finally concludes that reformism no longer has meaning and that she has to stand against the regime in the street."

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A scene from Bidad. Courtesy of the Karlovy Vary International Film Festival.

A harsher line of criticism concerns how the film draws those who break the rules. One commenter objected to the prominence of alcohol, marijuana, sex and dysfunctional relationships, warning that such choices risk tying musicians and dissenters to social disorder in viewers' minds.

The Hollywood Reporter read the same world differently, describing a film populated by "rebels and outcasts" and arguing that Seti is far from alone in it: the picture follows one singer, but its wider significance lies in placing her among a growing number of young Iranians pushing back against limits on personal expression.

A related complaint appeared on X, where one user praised the film for its recognizable picture of Iranian life but wrote that it tries to carry too many injustices at once. Sexual harassment, a subplot in which Seti's mother is coerced into sex with an interrogator to secure her detained daughter's release, and Seti getting her period in custody were all unnecessary, the commenter argued.

That debate captures the unusual bind Bidad finds itself in: escaping censorship let it cross lines that approved cinema cannot, but crossing them no longer looks radical to audiences whose own lives changed faster than the rules did.

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A scene from Bidad. Courtesy of the Karlovy Vary International Film Festival.

Two generations meet

The same divide runs inside the film, through Seti's relationship with a nameless older man played by Amir Jadidi, who asks to be called only "Bebin," or "Look."

Tattooed, frequently high and seemingly emptied of his old ideals, he stands against Seti's determination to force her way into public life, Abdi said.

Their intimate but unconventional relationship becomes an encounter between two generations: one carrying the weight of disillusionment, the other unwilling to accommodate restrictions.

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The film's singing voice ties the fiction to the present. Its vocal tracks feature Parastoo Ahmadi, who has faced prosecution for performing without mandatory hijab.

In June, a court in Qom sentenced Ahmadi and eight musicians and crew members to 74 lashes each, a two-year ban on artistic work and a two-year travel ban over her 2024 Caravanserai Concert.

Bidad was made outside official channels because the Iran it shows cannot exist within the rules of approved cinema. Its reception online has exposed a second gap: some viewers celebrate the sight of those rules being broken, while others ask why the screen is still catching up with a society that broke them first.

Luxury Tehran property asking prices surpass Munich and Sydney

Aug 19, 2026, 11:07 GMT+1
•
Hooman Abedi
100%
A luxury house in northern Tehran

Some luxury apartments in northern Tehran are being advertised above the price of central Munich or Sydney: 25 billion rials, about $13,228, per square meter, according to Farhikhtegan newspaper, which examined the listings.

Eleven of 16 properties examined in the affluent neighborhoods of Aghdasiyeh and Elahiyeh were advertised above 10 billion rials ($5,291) per square meter, the Iranian daily said on Wednesday.

It has to be noted that the Tehran figures are sellers' asking prices for a small selection of high-end properties, not completed transactions, while the international figures represent broader city-center apartment prices.

Average asking prices across Tehran were around 2.3 billion to 2.5 billion rials ($1,217-$1,323) per square meter, with completed sales likely to be lower than advertised prices, Farhikhtegan said.

Monthly salaries for many Iranian workers are commonly put at around 200 million to 250 million rials, equivalent to roughly $105 to $132.

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A luxury house in northern Tehran

Multimillion-dollar properties in northern Tehran

A 500-square-meter property in Aghdasiyeh was advertised at 15 billion rials ($7,937) per square meter, giving it a total asking price of around 7.5 trillion rials ($3.97 million), according to the newspaper.

Another property measuring 600 square meters was offered at 18 billion rials ($9,524) per square meter, or approximately 10.8 trillion rials ($5.71 million).

  • Tehran rents hit three times many workers’ monthly pay

    Tehran rents hit three times many workers’ monthly pay

An 850-square-meter residential property marketed for redevelopment carried an asking price of 22 billion rials ($11,640) per square meter, putting the entire property at about 18.7 trillion rials ($9.89 million).

Prices in the sample climbed further in Elahiyeh. A 2,000-square-meter property marketed for redevelopment was advertised at 25 billion rials ($13,228) per square meter, equivalent to about 50 trillion rials ($26.46 million).

A 510-square-meter unit in a residential tower carried the same per-square-meter price, taking its total asking price to roughly 12.75 trillion rials ($6.75 million).

Tehran luxury prices overtake selected global cities

Farhikhtegan separately estimated luxury residential property in northern Tehran at $13,369 per square meter and compared that figure with average apartment prices across 30 cities.

Munich stood at $13,217 per square meter and Sydney at $13,067, according to the comparison. Shenzhen followed at $12,947, Taipei at $12,922 and Luxembourg at $12,793.

The Tehran estimate draws on luxury properties in some of the capital's most expensive neighborhoods, while the international figures cover broader city-center apartment markets.

International data focused specifically on luxury housing paints a different picture.

Knight Frank's Wealth Report 2026 defines prime property as the most desirable and expensive homes in a market, generally representing the top 5% by value.

Its data show that $1 million bought 42.1 square meters of prime residential property in Sydney at the end of 2025, implying a value of about $23,800 per square meter. The equivalent figures were about $30,400 in London, $29,500 in New York and $16,100 in Dubai.

Those figures put northern Tehran's listings in a different context. At an open-market exchange rate of around 1.89 million rials to the dollar, a property advertised at 25 billion rials per square meter was equivalent to about $13,228, below the prime residential values recorded by Knight Frank in Sydney, London, New York and Dubai.

The contrast highlights how Tehran can appear more expensive than Sydney when selected high-end listings in the Iranian capital are compared with average city-center apartments abroad, but cheaper when measured against Sydney's prime residential segment.

Tehran is not included in Knight Frank's international prime residential index, meaning no standardized ranking between the Iranian capital and the cities covered by its data is available.

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Dollar pricing reaches high-end property market

The rial's depreciation has also led some owners of expensive properties to advertise rents or sale prices directly in dollars, Farhikhtegan said.

  • Dollar-pegged pizza in Tehran points to a different kind of regime change

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Previous listings cited by the newspaper included furnished apartments offered for monthly rents of roughly $1,100 to $4,200, with some landlords seeking dollar payments to limit the erosion of rental income as the rial loses value.

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A luxury house in northern Tehran

However, most residential sales and rental agreements remain denominated in Iran's currency.

The growing divide between incomes and housing costs has reshaped living arrangements for some Iranians, pushing tenants to cheaper cities or Tehran’s outskirts, back into their parents’ homes, or into shared apartments to split expenses.

Iran weighs attacks on military targets in Europe – FT

Aug 19, 2026, 07:56 GMT+1
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A police officer closes the entrance of RAF Akrotiri, a British sovereign base in Cyprus, which was hit by a drone overnight on March 2, 2026.

Iran has considered attacking military targets in Europe if US President Donald Trump escalates the war, the Financial Times reported on Wednesday, citing two insiders.

Iranian forces had assessed possible strikes against US assets in southeastern Europe, including Bulgaria, which approved the use of Bezmer Air Base by US refueling aircraft last month, the sources said.

Cyprus, where a British air base was hit by a drone in March, was also identified as a potential target for retaliation against a renewed US offensive, according to one of the sources.

Iran’s forces had separately examined attacks on subsea fiber-optic cables in the Strait of Hormuz if the conflict intensified, according to the report.

One source said Tehran was preparing to expand the war if Trump acted on threats to attack Iranian infrastructure. The other said Iran would place “no limits” on its response to US military action.

The sources described last month’s strike on a US base in Jordan, which killed three American service members, as Tehran’s most accurate long-range attack to date and evidence of its ability to hit targets farther afield.

“This was also a message to Europe: it can receive missiles, so it should know where it should stand in this war,” the first insider said. “A very big mistake, such as hitting our infrastructure, could make the war go beyond the region and reach Europe.”

Iran has not publicly confirmed the reported plans.

Military analysts told the FT that Iran could target US assets in southern and southeastern Europe with medium-range ballistic missiles, but questioned their accuracy and Tehran’s stockpile of longer-range weapons.

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    All Mojtaba's men: Old guard shapes Iran’s new order

Iran’s recent elevation of hardliners to senior security and military posts has also deepened expectations within Tehran of renewed conflict, according to the report.

Referring to Mohammad Bagher Ghalibaf, Tehran’s chief negotiator, and Mohsen Rezaei, Iran’s top security chief, the second insider said Iran “is sending a clear message that if you don’t reach an agreement with Ghalibaf, you have to deal with Rezaei.”

“The message is: ‘Don’t be mad, because I’m madder than you are.’”

Meanwhile, negotiations over reopening the Strait of Hormuz remained stalled and Trump said there were no talks scheduled with Tehran.

The 60-day deadline is over. Now what does Trump do with Iran?

Aug 19, 2026, 02:56 GMT+1
•
Negar Mojtahedi
100%
US President Donald Trump seated next to Pete Hegseth

With the 60-day period set by the June US-Iran memorandum now over and no final agreement in place, Washington faces a choice between intensifying pressure, renewing major strikes or settling into a prolonged and unstable holding pattern.

President Donald Trump said Tuesday that there were “no talks or conversations going on, or scheduled” with Iran and that the US naval blockade remained in force.

A White House official told Semafor that Trump’s Truth Social post amounted to calling off talks with Iran for the foreseeable future.

The message appeared to contradict Jared Kushner, who just a day earlier described contacts with different parts of the Iranian government as unusually “robust” and spoke of “very positive and active conversations.”

The IRGC, meanwhile, has denied Trump’s claim that US officials were holding back-channel talks with Revolutionary Guard officials.

The conflicting accounts underscore one of the central uncertainties after the 60-day deadline passed: how much of the confrontation visible in public reflects what may be happening behind the scenes.

Interviews with three analysts and former officials suggest the end of the 60-day period does not necessarily leave Washington with a binary choice between launching another major offensive and walking away.

A third possibility is emerging: an extended and highly unstable holding pattern in which Washington intensifies economic pressure, maintains the blockade and avoids a return to the intensive military campaign seen earlier in the conflict, while retaining the option of renewed strikes.

Neither war nor peace

Former US Ambassador John Craig said he believes Trump has been persuaded by his military and foreign-policy advisers that further major military action would not necessarily resolve the conflict, particularly the nuclear issue.

“I think this is going to go on for quite a while, simply because there doesn't seem to be any other alternative,” Craig told Iran International.

Craig described that status quo as one in which the United States continues trying to keep ships, oil and goods moving through the Strait of Hormuz while Iran carries out lower-level attacks and probes against regional targets, all without a meaningful diplomatic process capable of producing an agreement.

“So no peace,” Craig said. “Not very high level of attacks and kinetic actions, but still no agreement and no process — even more important, no process to find an agreement.”

But Craig stressed that what is visible may tell only part of the story.

He said it is impossible to know what preparations could be taking place during the apparent lull, including whether new targeting packages are being assembled, intelligence operations are underway or assistance is being provided to people inside Iran.

“We don't know everything that is going on,” Craig said.

Ilan Berman, senior vice president of the American Foreign Policy Council, similarly said the current situation could persist well beyond the end of the 60-day period.

“I have the growing feeling that this status quo could persist for some time,” Berman told Iran International.

One reason, he said, is domestic US politics. With midterm elections approaching, the opportunity for attempting a quick and decisive conclusion to the conflict may already have passed.

Instead, Washington may increasingly conclude that time is on its side.

Berman said countries around the Persian Gulf, Central Asia and elsewhere are also using this period to build infrastructure and alternative transport corridors aimed at reducing vulnerabilities exposed by the conflict, particularly the dependence of global trade on the Strait of Hormuz.

“This isn't a great situation,” Berman said, “but time ends up working for Washington and not for Tehran.”

Can economic pressure break the stalemate?

Iran's economy is already under extraordinary pressure.

Iran's annual inflation reached 66% in July, while food prices rose 128% year-on-year, according to the Statistical Center of Iran, severely eroding household purchasing power.

Those pressures are being compounded by sanctions, the naval blockade, disruption to Iran's energy trade and the prospect of another round of US economic measures.

For Washington, that raises the possibility that time itself, combined with escalating economic pressure, could accomplish what another major military offensive may not.

Berman described Iran's economic crisis as potentially “the transformative variant,” arguing that the danger for the government grows as the rial loses value, purchasing power collapses and basic foods become increasingly unaffordable.

“This is not a sustainable condition,” he said.

But he cautioned that economic deterioration does not automatically produce political upheaval. Tehran can attempt to soften the impact through currency measures, trade arrangements and other economic interventions.

What has changed, Berman argued, is the nature of the leadership confronting those pressures. He described the current system as increasingly rigid and militarized, leaving it potentially less willing to prioritize domestic economic development.

Casey Babb, a senior fellow and director at the Macdonald-Laurier Institute, described the current moment as a “very uncertain and fragile holding pattern.”

He said Washington could combine substantially greater economic pressure with military capabilities it has so far chosen not to fully deploy.

But Babb cautioned that economic warfare carries consequences far beyond Iran's leadership.

“There is a human cost to that as well,” he said. “Innocent Iranians are going to suffer from that as well and already are.”

Babb said the United States clearly does not want a costly conventional ground war, while Iran's leadership has shown little indication that it is prepared to make the concessions Washington is seeking.

“It will take something probably quite significant for the regime to behave differently,” Babb said.

When does the shooting start again?

None of the analysts interviewed for this story suggested the current lull means the military confrontation is over.

Berman went further, saying he expects US strikes against Iran to happen again.

“The question to me is not whether or not there are going to be strikes again, because I think there will be,” he said.

The more important question, he argued, is whether future attacks remain limited actions designed to restore deterrence — what he described as “knuckle wraps” — or become the beginning of another major phase of the war.

Berman described the confrontation as an increasingly prolonged battle of wills, contrasting it with what he said Washington had initially envisioned as a shorter conflict similar to its campaign in Venezuela.

That creates another danger.

Unlike during the Cold War, he said, Washington and Tehran lack reliable lines of communication specifically designed to keep tactical confrontations from escalating into something much larger.

The result may be neither war nor peace.

Berman compared the current moment to the end of the second act of a three-act play — the point when the action temporarily slows before the pace picks up again.

But the apparent lull may be deceptive.

As Craig emphasized, intelligence operations, military targeting and other preparations could be taking place beyond public view. Diplomatic contacts may also be more complicated than the conflicting public statements from Washington and Tehran suggest.

The visible status quo could persist for some time.

What is happening underneath it — and what eventually breaks it — is much harder to know.”

For Iranian journalists, exile can last a lifetime

Aug 18, 2026, 17:50 GMT+1
•
Niusha Saremi
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Farahnaz Espad

Journalists are not supposed to become the story. We are usually on the other side of it. Someone lives through an event and we write about it. Someone is gone and we report their passing. A crisis unfolds and we try to find the right words to tell its story.

But sometimes life reverses the roles. The narrator becomes the subject of the story.

Today, Farahnaz Espad, one of Iran International’s finest news anchors, died of cancer at the age of 37. Hearing the news, I found myself thinking of Reza Haghighatnejad, an editor at RFE/RL’s Radio Farda and one of Iran’s most accomplished political journalists, who also died of cancer in 2022.

Perhaps because I see a bitter similarity in their fates. Two Iranian journalists; two young, talented and hardworking people whose lives were deeply bound up with Iran — with its news, its people, their concern for what was happening to it, and their hope that perhaps tomorrow life for Iranians might be a little better than it is today.

Both developed cancer far from Iran, and both died far from home.

I remember Farahnaz for her calm. For a dignity that even illness could not take from her. There was an unassuming humility and kindness in the way she carried herself, the kind some people bring into every room without even trying. She was hopeful. She was calm.

She wanted to go back to work.

Perhaps “going back to work” sounds like a small wish. But for Farahnaz, work was not merely a job. She wanted to stand in front of the camera again, read the news from Iran, begin her day with Iran and end it with Iran. Illness had kept her away from the newsroom, but it had not severed the thread connecting her to her professional life.

Reza’s death a few years ago was a reminder of much the same thing.

Reza was one of those journalists for whom Iran was never merely the subject of his work. Iran was his abiding concern — something he read about, wrote about, researched and worried about. He lived in exile, but much of his mind and his work remained in the country where he could no longer continue his professional life.

Even after death, his fate remained bitter. Reza died of cancer in Berlin at the age of 45. His body was sent to Iran so he could be buried in the soil he came from. But security forces seized his body after it arrived, preventing his family from saying goodbye to him as they wished and from burying him in his hometown.

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Farahnaz Espad (Left) and Reza Haghighatnejad (Right)

Sometimes I think exile, for an Iranian journalist, is more than geographical distance.

One day, you begin working as a journalist in Tehran, Shiraz, Isfahan or another city, with the simple idea that you will write about the society in which you live. Then a day comes when, to continue doing that same work, you have to leave your country. Your desk moves. Your newsroom moves. The language spoken on the street you walk down every morning changes. Your home changes. Your friends scatter. Years pass.

But the subject of your work does not change.

It is still Iran.

You wake up in a city thousands of kilometers from Tehran, and the first thing you read is news from Iran. You spend your day immersed in the crises, protests, elections, prisons, hopes and disappointments of people you may not have seen in person for years. You talk about the future of a country when you yourself do not know when you will be able to return to it without fear.

It is a strange contradiction: sometimes you spend most of your years away from your homeland while devoting most of your professional life and your thoughts to that same homeland.

Farahnaz and Reza were like that. And I do not want to remember them only through their illness and death. Cancer was the final chapter of their lives; it was not the whole book.

What came before mattered more: curiosity, work, concern, hope, friendship, laughter, long hours in the newsroom, stories written and read, questions asked, and that essential belief every journalist carries — that knowing the truth, telling it and understanding it more deeply still matters.

But there is something in both their stories that I find deeply painful.

They were people who thought about Iran, worked on Iran and wanted a better life for the people of Iran. Yet they themselves were denied one of the most basic possibilities of an ordinary life: to live at “home,” to work there, to grow old there and one day, when the time came, to close their eyes in their own country, surrounded by family and memories.

That should not be something one has to wish for.

Staying in your homeland should not be a privilege.

Exile should not be the price of journalism.

No one should have to choose between their profession and their country simply for speaking and writing.

And perhaps that is why today, as I write the news of Farahnaz’s death, I am not grieving only the loss of a friend and colleague. I grieve for a generation of Iranian journalists who packed their bags, built homes in other cities, spoke about their homeland from distant studios and newsrooms, and spent years of their lives waiting for an Iran they might one day be able to return to freely.
Some of them never got to see that day.

Reza did not.

Neither did Farahnaz.

A journalist is meant to bear witness to history, not become a victim of geography. A journalist is supposed to tell the news, not have their illness or death in exile become a headline written by their colleagues.

But sometimes that is exactly what happens.

Today we read Farahnaz’s name in the news, just as we read Reza’s a few years ago. And behind those two names, for me, one simple wish remains:

That one day Iran will be a place where its journalists can stay; where they can ask questions, write, make mistakes, write again, live, grow old — and not be forced away from “home” to do the work they love.

A day when an Iranian journalist’s share of their homeland is more than having it as the subject of their stories.

Until that day, we are left with the memory of those who are gone — and with stories that, this time, contrary to our professional habit, we have to write about the storytellers themselves.

May the memory of Farahnaz Espad and Reza Haghighatnejad live on.