Women attend a state-organized memorial ceremony marking 40 days since those killed in the January unrest, holding portraits of individuals described by authorities as “martyrs”, February 17, 2026
Forty days after Iran’s deadly January crackdown, senior officials repeated claims of foreign influence while some insiders—even from the hardline camp—offered sharply different explanations.
The fortieth day after a death carries special significance in Shiite tradition, often marking a moment of collective mourning and reflection.
Families of those killed in the January 8 and 9 crackdown marked the occasion this week with memorial ceremonies across the country, even as authorities maintained a heavy security presence.
On February 17, Supreme Leader Ali Khamenei, President Massoud Pezeshkian and Parliament Speaker Mohammad Bagher Ghalibaf repeated the government’s longstanding assertion that foreign forces played a decisive role in fueling the protests.
At the same time, officials acknowledged that some of those killed were “innocent,” drawing a distinction that appeared intended to preserve the official narrative while recognizing the scale of the bloodshed.
Yet beneath that public consensus, alternative interpretations are emerging—even from figures long associated with the system.
Hassan Beyadi, a hardliner and secretary-general of the Abadgaran (Developers) Party, which helped propel Mahmoud Ahmadinejad to the presidency in 2005, offered a starkly different assessment in an interview with Khabar Online.
“People came to the streets because their dignity was trampled by politicians,” Beyadi said, describing the unrest as a reaction to corruption, discrimination and violations of basic citizenship rights.
Only “essential changes in the structure of the system and its economic policies” could restore public trust, he added.
A more conservative but still revealing analysis came from Abbas Ghaemi, a director at the Social Analysis Center of Imam Sadeq University, an institution closely tied to the Islamic Republic’s political elite.
Ghaemi argued that many participants in the January protests had already been shaped by previous waves of unrest, including the 2009 Green Movement, the 2018 and 2019 economic protests and the 2022 Women, Life, Freedom uprising.
“We are facing a society that has tried many different ways without achieving results,” he said.
Ghaemi emphasized the need for dialogue between society and the political system, an idea that has surfaced periodically within establishment circles but has rarely translated into sustained engagement.
Iran’s Supreme Leader, who holds ultimate authority over state policy, has never granted a media interview during his more than three decades in power.
Analyses published in Iranian media since the crackdown point to broader structural concerns, with some commentators describing a society marked by declining trust, growing anger and widening distance between the state and its citizens.
Former government spokesman Ali Rabiei, writing in the reformist-leaning newspaper Etemad, warned against attempts to channel public anger into state-controlled expressions of mourning.
“Looking at the frosty streets of Iran in Winter 2026,” he wrote, “it is clear that turning angry protesters into mourning protesters and vice versa reflects the inefficiency of a policy that will lead to one crisis after another if the system remains unreformed.”
Such warnings suggest the state may be struggling to fully impose its narrative of the unrest, even within establishment circles.
An illustration showing an ancient Iranian soldier and a Revolutionary Guard member holding a weapon together, displayed during a November 7 ceremony in Tehran where a statue of pre-Islamic Persian King Shapur I was unveiled.
Tehran’s unveiling of a towering statue depicting the Roman Emperor Valerian kneeling before pre-Islamic Persian King Shapur I has renewed criticism of the Islamic Republic’s appeal to nationalist sentiment following the June war with Israel.
For over forty years, the theocracy purged ancient Persian history from schoolbooks, replacing it with post-Islamic narratives. But after the 12-day conflict with Israel, officials have turned to the distant pre-Islamic past to rally a divided society.
From murals of ancient kings and soldiers to patriotic songs added to Shi’ite mourning ceremonies performed before Supreme Leader Ali Khamenei, Tehran now embraces imagery once deemed heretical by its own revolutionary ethos.
The statue unveiled in Tehran's Revolution Square
'Kneel before Iran' campaign
Tehran’s Revolution (Enghelab) Square was the scene of an unusual spectacle on Friday as officials unveiled a massive bronze statue depicting Roman Emperor Valerian kneeling in submission before Sassanid King Shapur I, commemorating Iran’s victory at the Battle of Edessa (260 AD).
The event was held under the slogan “Kneel before Iran,” part of what authorities describe as a campaign to project “national unity and historical pride” following the June war with Israel.
Tehran Mayor Alireza Zakani, a staunch ultraconservative, said on X: “Enmity with Great Iran can only end in kneeling before this historic nation.”
Municipal official Davood Goodarzi said the installation would be accompanied by visual displays depicting “other victories of Iranians over foreign aggressors,” including the defeat of British forces by local commander Rais-Ali Delvari, Mirza Kuchak Khan’s resistance against Russian troops, and Surena’s triumph over Rome at the Battle of Carrhae in 53 BCE.
The goal, Goodarzi said, is “strengthening concepts such as national dignity, social unity, and Iranian identity.”
The statue, he said, would remain temporarily at Revolution Square before being moved to a city gateway “where it will stand as the first emblem of Iran before diplomats and foreign visitors.”
Unveiled women were allowed to attend the unveiling ceremony—an uncommon scene at events organized by Tehran’s ultra-hardline municipality.
The turn to the pre-Islamic past
The sharp reversal also recalls remarks once made by Khamenei. In a 2011 speech, he asserted that “all the great military victories of this nation came after Islam,” dismissing pre-Islamic accounts as “things that are not documented.”
In 1987, he had said that prophets triumphed over kings such as Cyrus and that “nothing remains of these monarchs in history but names remembered with derision.”
Nevertheless, pro-government social media accounts have now gone so far as to circulate posters equating Khamenei himself with Shapur, showing him standing with a staff as Benjamin Netanyahu and Donald Trump kneel before him. The caption reads: “You will kneel before Iran.”
Image circulating by hardliners on social media
'Hypocrisy'
Pro-government figures have hailed the move as a patriotic success. Conservative political reporter Hossein Saremi posted: “Today’s grand Iranian gathering showed that people and the state share one essence: Iran itself. Nothing can take our homeland away.”
Others, however, called the spectacle “hypocrisy.” Journalist Gholamhossein Pashaei wrote on X: “Every year you close Pasargadae to stop people from celebrating Cyrus Day, yet you unveil Shapur’s statue in Enghelab Square with drums and fireworks during Fatimiyya (mourning period)!”
Dissident commentator Hamid Asafi called the ceremony “a perfect snapshot of the Islamic Republic’s contradictions.”
On Telegram he wrote: “A week ago they closed Cyrus’s tomb out of fear of the crowds, and now they glorify Shapur in the same breath. The Islamic Republic fears living history but poses for selfies with its corpse.”
He added: “They know people no longer respond to rosaries and sermons. That’s why they’ve brought history back to the stage—in a controlled costume. If they can’t erase the past, they’ll try to own it.”
The irony deepened as UNESCO formally recognized Cyrus’s Charter as one of the earliest human-rights documents.
President Masoud Pezeshkian wrote on X: “Iran, the cradle of dialogue, justice, and coexistence, can still inspire peace today.”
Users swiftly replied, questioning how such pride could coexist with a government that blocks access to Cyrus’s tomb each year to those wishing to visit it on his birthday.