Traditional celebration of bonfire night (Charshanbeh Suri) in Iran
Authorities in Tehran have issued sweeping warnings ahead of Iran’s annual fire festival, Chaharshanbeh Suri, framing the centuries-old celebration as a potential flashpoint for unrest during wartime.
The festival has long been a source of friction between the public and the state, but this year officials appear particularly concerned amid U.S.-Israeli strikes and fresh calls for mass participation, including appeals this week from exiled Prince Reza Pahlavi.
Judicial and security bodies have sent text messages directly to citizens. One such message, reportedly from a provincial justice department, warned that any “noise, commotion or unconventional behaviour” that disrupts public order could result in punishments including imprisonment and flogging.
On Tuesday, chief justice Gholam-Hossein Mohseni-Ejei warned dissenters and repeated orders to confiscate the assets of those deemed “collaborators with the enemy,” again raising the possibility of capital punishment.
“We warn all elements who intend to threaten public security that if they act, they will face firm legal action, and there will be no leniency,” he said.
The Revolutionary Guards (IRGC) spokesman, Brigadier General Ali-Mohammad Naeini, used even sharper language, describing the day as a “Charshanbeh of burning enemies.”
He vowed that attacks on Israel and U.S. bases in the region would intensify while “symbols of monarchists, separatist terrorists and mercenaries inside the country” would be set ablaze.
Ahmad-Reza Radan, Iran’s police commander, appeared Monday at a pro-establishment gathering in Tehran and urged supporters “not to leave the arena” to the opposition, calling the night “a decisive night” for the state.
Marked by bonfires, fireworks and rituals rooted in pre-Islamic traditions, Charshanbeh Suri has frequently drawn official scrutiny since the 1979 revolution, with clerical leaders often dismissing it as incompatible with religious norms.
Despite repeated enforcement efforts involving police, paramilitary Basij forces and vigilante groups, the celebration has persisted.
Restrictions have also altered how the festival is observed: traditional practices such as jumping over small fires and spoon-banging at doors have, over time, given way in many areas to the use of homemade explosives, often resulting in injuries and property damage.
In recent years — especially following the 2022–23 “Woman, Life, Freedom” protests — the festival has taken on a more overtly political dimension, with young people chanting slogans and at times confronting security forces with firecrackers and improvised devices.
The wave of warnings followed messages by Iran’s exiled Prince Reza Pahlavi in recent days addressed to Iranians and the “international community and friends of Iran.”
He urged citizens to celebrate Charshanbeh Suri in “alleys and neighborhoods across the country” and called on global observers to keep their eyes on Iran and “not to allow the regime to use violence against the people determined to celebrate life, light and hope in the face of darkness.”
In a separate message, he directly urged Donald Trump and Benjamin Netanyahu to closely monitor developments on the night of the festival.
In a further video message posted Tuesday, he urged Iranians to avoid confrontation with government forces while warning security personnel to leave people in peace.
“These malevolent agents intend to drag your festival of light, purity and life into darkness, filth and death. Do not give them this opportunity,” he said.
Online reactions suggest the calls for participation are resonating with some younger Iranians, who frame the festival as both a national tradition and a symbol of resistance.
One user wrote that holding Charshanbeh Suri this year would mean “turning a national ritual into a symbol of standing against the regime and honoring those who gave their lives for the homeland.”
Another post declared: “Tomorrow night we will witness the largest Charshanbeh Suri in Iran’s history. I dare you to touch even a hair on the heads of our compatriots.”
An illustration showing an ancient Iranian soldier and a Revolutionary Guard member holding a weapon together, displayed during a November 7 ceremony in Tehran where a statue of pre-Islamic Persian King Shapur I was unveiled.
Tehran’s unveiling of a towering statue depicting the Roman Emperor Valerian kneeling before pre-Islamic Persian King Shapur I has renewed criticism of the Islamic Republic’s appeal to nationalist sentiment following the June war with Israel.
For over forty years, the theocracy purged ancient Persian history from schoolbooks, replacing it with post-Islamic narratives. But after the 12-day conflict with Israel, officials have turned to the distant pre-Islamic past to rally a divided society.
From murals of ancient kings and soldiers to patriotic songs added to Shi’ite mourning ceremonies performed before Supreme Leader Ali Khamenei, Tehran now embraces imagery once deemed heretical by its own revolutionary ethos.
The statue unveiled in Tehran's Revolution Square
'Kneel before Iran' campaign
Tehran’s Revolution (Enghelab) Square was the scene of an unusual spectacle on Friday as officials unveiled a massive bronze statue depicting Roman Emperor Valerian kneeling in submission before Sassanid King Shapur I, commemorating Iran’s victory at the Battle of Edessa (260 AD).
The event was held under the slogan “Kneel before Iran,” part of what authorities describe as a campaign to project “national unity and historical pride” following the June war with Israel.
Tehran Mayor Alireza Zakani, a staunch ultraconservative, said on X: “Enmity with Great Iran can only end in kneeling before this historic nation.”
Municipal official Davood Goodarzi said the installation would be accompanied by visual displays depicting “other victories of Iranians over foreign aggressors,” including the defeat of British forces by local commander Rais-Ali Delvari, Mirza Kuchak Khan’s resistance against Russian troops, and Surena’s triumph over Rome at the Battle of Carrhae in 53 BCE.
The goal, Goodarzi said, is “strengthening concepts such as national dignity, social unity, and Iranian identity.”
The statue, he said, would remain temporarily at Revolution Square before being moved to a city gateway “where it will stand as the first emblem of Iran before diplomats and foreign visitors.”
Unveiled women were allowed to attend the unveiling ceremony—an uncommon scene at events organized by Tehran’s ultra-hardline municipality.
The turn to the pre-Islamic past
The sharp reversal also recalls remarks once made by Khamenei. In a 2011 speech, he asserted that “all the great military victories of this nation came after Islam,” dismissing pre-Islamic accounts as “things that are not documented.”
In 1987, he had said that prophets triumphed over kings such as Cyrus and that “nothing remains of these monarchs in history but names remembered with derision.”
Nevertheless, pro-government social media accounts have now gone so far as to circulate posters equating Khamenei himself with Shapur, showing him standing with a staff as Benjamin Netanyahu and Donald Trump kneel before him. The caption reads: “You will kneel before Iran.”
Image circulating by hardliners on social media
'Hypocrisy'
Pro-government figures have hailed the move as a patriotic success. Conservative political reporter Hossein Saremi posted: “Today’s grand Iranian gathering showed that people and the state share one essence: Iran itself. Nothing can take our homeland away.”
Others, however, called the spectacle “hypocrisy.” Journalist Gholamhossein Pashaei wrote on X: “Every year you close Pasargadae to stop people from celebrating Cyrus Day, yet you unveil Shapur’s statue in Enghelab Square with drums and fireworks during Fatimiyya (mourning period)!”
Dissident commentator Hamid Asafi called the ceremony “a perfect snapshot of the Islamic Republic’s contradictions.”
On Telegram he wrote: “A week ago they closed Cyrus’s tomb out of fear of the crowds, and now they glorify Shapur in the same breath. The Islamic Republic fears living history but poses for selfies with its corpse.”
He added: “They know people no longer respond to rosaries and sermons. That’s why they’ve brought history back to the stage—in a controlled costume. If they can’t erase the past, they’ll try to own it.”
The irony deepened as UNESCO formally recognized Cyrus’s Charter as one of the earliest human-rights documents.
President Masoud Pezeshkian wrote on X: “Iran, the cradle of dialogue, justice, and coexistence, can still inspire peace today.”
Users swiftly replied, questioning how such pride could coexist with a government that blocks access to Cyrus’s tomb each year to those wishing to visit it on his birthday.