Iran International
Iran’s state media has moved quickly to frame the leadership transition not as a rupture but as proof of institutional resilience, shifting its messaging from wartime urgency to carefully managed continuity.
Following the death of Ali Khamenei and the elevation of Mojtaba Khamenei, the Islamic Republic of Iran Broadcasting (IRIB) emphasized that the state—not any individual—is the true source of stability.
IRIB’s rolling news channel, IRINN, repeatedly declared: “The Islamic Republic of Iran is not dependent on a single individual. It is a system based on the rule of law and divine values.”
After the Assembly of Experts named Mojtaba leader on March 9, state television pivoted to stressing the decisiveness of the vote.
Despite reports of clerical unease about the process, IRIB described the outcome as reflecting an 85 percent consensus and presented it as both legally sound and religiously sanctioned.
Broadcasts featured pledges of allegiance from the Revolutionary Guards, the military, the diplomatic corps and even the national football team as evidence of unified support.
Because the transition unfolded during an active conflict with Israel and the United States, state television fused the succession narrative with imagery of military strength.
Shortly after Mojtaba’s appointment, IRIB aired footage of missile launches toward Israel under the caption: “At your command, Sayyid Mojtaba,” invoking both his lineage and his role as wartime commander-in-chief.
The messaging aligned with broader official rhetoric, with security chief Ali Larijani and parliament speaker Mohammad Bagher Ghalibaf both rejecting calls for a ceasefire and signaling that Iran would continue strikes.
These narratives circulated even as Mojtaba himself remained absent from public view. His silence fueled speculation about his condition, with some commentators drawing religious analogies to the occultation of the 12th Imam, while others circulated unverified claims about his whereabouts.
At home, the messaging has been accompanied by tighter control. Iran’s police chief warned that anyone taking to the streets after encouragement from US and Israeli leaders would be treated as an “enemy” rather than a civilian protester—a signal that the space for dissent is narrowing further under wartime conditions.
References to dissent or worsening economic conditions have meanwhile largely disappeared from state coverage.
Skepticism about the hereditary nature of the succession has been framed as foreign psychological warfare, while relatively small pro-government gatherings are presented as signs of broad public enthusiasm.
For now, the message is clear: continuity over disruption, system over individual. But the carefully managed narrative also reflects the pressures facing the leadership at a moment of unusual uncertainty.
Tehran’s unveiling of a towering statue depicting the Roman Emperor Valerian kneeling before pre-Islamic Persian King Shapur I has renewed criticism of the Islamic Republic’s appeal to nationalist sentiment following the June war with Israel.
For over forty years, the theocracy purged ancient Persian history from schoolbooks, replacing it with post-Islamic narratives. But after the 12-day conflict with Israel, officials have turned to the distant pre-Islamic past to rally a divided society.
From murals of ancient kings and soldiers to patriotic songs added to Shi’ite mourning ceremonies performed before Supreme Leader Ali Khamenei, Tehran now embraces imagery once deemed heretical by its own revolutionary ethos.
'Kneel before Iran' campaign
Tehran’s Revolution (Enghelab) Square was the scene of an unusual spectacle on Friday as officials unveiled a massive bronze statue depicting Roman Emperor Valerian kneeling in submission before Sassanid King Shapur I, commemorating Iran’s victory at the Battle of Edessa (260 AD).
The event was held under the slogan “Kneel before Iran,” part of what authorities describe as a campaign to project “national unity and historical pride” following the June war with Israel.
Tehran Mayor Alireza Zakani, a staunch ultraconservative, said on X: “Enmity with Great Iran can only end in kneeling before this historic nation.”
Municipal official Davood Goodarzi said the installation would be accompanied by visual displays depicting “other victories of Iranians over foreign aggressors,” including the defeat of British forces by local commander Rais-Ali Delvari, Mirza Kuchak Khan’s resistance against Russian troops, and Surena’s triumph over Rome at the Battle of Carrhae in 53 BCE.
The goal, Goodarzi said, is “strengthening concepts such as national dignity, social unity, and Iranian identity.”
The statue, he said, would remain temporarily at Revolution Square before being moved to a city gateway “where it will stand as the first emblem of Iran before diplomats and foreign visitors.”
Unveiled women were allowed to attend the unveiling ceremony—an uncommon scene at events organized by Tehran’s ultra-hardline municipality.
The turn to the pre-Islamic past
The sharp reversal also recalls remarks once made by Khamenei. In a 2011 speech, he asserted that “all the great military victories of this nation came after Islam,” dismissing pre-Islamic accounts as “things that are not documented.”
In 1987, he had said that prophets triumphed over kings such as Cyrus and that “nothing remains of these monarchs in history but names remembered with derision.”
Nevertheless, pro-government social media accounts have now gone so far as to circulate posters equating Khamenei himself with Shapur, showing him standing with a staff as Benjamin Netanyahu and Donald Trump kneel before him. The caption reads: “You will kneel before Iran.”
'Hypocrisy'
Pro-government figures have hailed the move as a patriotic success. Conservative political reporter Hossein Saremi posted: “Today’s grand Iranian gathering showed that people and the state share one essence: Iran itself. Nothing can take our homeland away.”
Others, however, called the spectacle “hypocrisy.” Journalist Gholamhossein Pashaei wrote on X: “Every year you close Pasargadae to stop people from celebrating Cyrus Day, yet you unveil Shapur’s statue in Enghelab Square with drums and fireworks during Fatimiyya (mourning period)!”
Dissident commentator Hamid Asafi called the ceremony “a perfect snapshot of the Islamic Republic’s contradictions.”
On Telegram he wrote: “A week ago they closed Cyrus’s tomb out of fear of the crowds, and now they glorify Shapur in the same breath. The Islamic Republic fears living history but poses for selfies with its corpse.”
He added: “They know people no longer respond to rosaries and sermons. That’s why they’ve brought history back to the stage—in a controlled costume. If they can’t erase the past, they’ll try to own it.”
The irony deepened as UNESCO formally recognized Cyrus’s Charter as one of the earliest human-rights documents.
President Masoud Pezeshkian wrote on X: “Iran, the cradle of dialogue, justice, and coexistence, can still inspire peace today.”
Users swiftly replied, questioning how such pride could coexist with a government that blocks access to Cyrus’s tomb each year to those wishing to visit it on his birthday.