Googoosh, a towering figure in Iranian pop music history, told the Associated Press in an interview published on Friday she would not produce new work until after the fall of the Islamic Republic.
“I prefer to leave my artistic work for a day when the Islamic Republic no longer exists in my country,” she said.
Embarking on a farewell tour, she framed her decision within the wider social shifts unfolding in Iran, particularly the growing rejection of the compulsory hijab and the generational frustration she believes now defines the country.
“We are seeing our youth, especially women, fighting for their most basic rights,” she said, describing a society confronting economic strain, political repression and demands for ordinary freedoms.
Defiance of compulsory veiling is now widespread in Iran as women and girls appear in public without headscarves in one of the most visible social shifts since Mahsa Amini’s death in 2022.
The pressures facing a new generation, Googoosh said, have accelerated her own sense of responsibility as an artist.
“People in my country are struggling to give their families an ordinary life. They struggle for clean water, clean air, and land where they can live. Our young people grew old without ever enjoying their youth. Our people must end this painful cycle and gain the freedoms every human being deserves.”
Iran’s rulers have long relied on strict hijab enforcement by police and Basij forces. The current situation comes amid persistent power cuts, water shortages and a weakened economy, all of which risk fueling further anger.
A life shaped by stardom and silence
Born Faegheh Atashin, she entered the spotlight as a child performer and quickly became one of pre-revolution Iran’s most recognizable cultural figures. Her look, voice and stage presence shaped an entire era of Iranian pop culture.
After the 1979 revolution, she remained in Iran and spent two decades barred from performing under the new theocracy, facing surveillance, harassment and a period of imprisonment. When authorities finally allowed her to leave in 2000, she resumed her career abroad, launching a revival that connected her with Iranians who had long been cut off from her music.
“After the revolution, the pressure on me grew,” Googoosh said. “Since Farsi is my mother tongue and I grew up in Iran, I could not adjust to living outside my country. I did not want that life. I hoped I could somehow continue performing for my own people, inside my own country.”
