Iran International
The thank-you note from US President Donald Trump to Iran’s leadership for halting what he described as planned mass executions reveals much about his politics, but more about the rulers in Tehran who have canonised deception as a political instrument.
Trump said last week that he had it “on good authority” that Iran intended to execute 800 prisoners, a claim for which no corresponding evidence has appeared in Iranian official announcements or domestic reporting.
American media reports suggested Iran's foreign minister Abbas Araghchi had been communicating with Trump's Mideast envoy Steve Witkoff and his statements had influenced the president's thinking to relent on a mooted attack.
Trump’s apparent willingness to take the claim at face value may also reflect his own preference, at least momentarily, for de-escalation—or for deferring action he may have judged premature at that stage.
Whether the specific information circulated in this episode was exaggerated, fabricated, or misunderstood remains unclear. But if misleading claims were fed to American officials or intermediaries, such behavior would be entirely consistent with Tehran’s long-standing political logic.
This logic does not arise from classical Islamic jurisprudence as such. In traditional Islamic legal thought, deception is generally condemned in ordinary political and social life and tightly constrained even in wartime.
The Islamic Republic, however, reconfigured this ethical boundary when its first supreme leader, Ruhollah Khomeini, argued that actions normally considered impermissible could be justified under the higher imperative of preserving Islam—and later, preserving the system itself.
Concepts such as maslahat (expediency) and political taqiyya (concealment) were thus transformed from narrowly defined exceptions into governing principles. Deception ceased to be situational and became structural.
This transformation was evident even before the Islamic Republic consolidated power. Khomeini publicly promised political pluralism, civil liberties, and limits on clerical authority. After 1979, these commitments were quietly discarded or retrospectively framed as tactical necessities of the revolutionary struggle.
What occurred was less a political reversal than the institutionalization of a widening gap between public narrative and actual intent. Decisions of lasting consequence were made offstage, while legality and transparency were preserved largely in appearance.
‘Managing’ foes
In later decades, deception became a stable feature of Iran’s foreign policy as well. Negotiations were often used not to resolve disputes but to reduce pressure, fragment opposition, and buy time.
Iran’s best-known diplomat, Mohammad Javad Zarif, boasted several years ago that his team had deliberately “managed” international perceptions. Misrepresentation was not incidental; it was strategic.
Within such a system, misleading a foreign government or manipulating a prominent political figure would be a default option, not merely a necessary evil.
Whether or not the recent execution claims were accurate, their circulation fits a familiar operational pattern: deflect scrutiny, reshape headlines, ease pressure, and gain time.
Tehran’s unveiling of a towering statue depicting the Roman Emperor Valerian kneeling before pre-Islamic Persian King Shapur I has renewed criticism of the Islamic Republic’s appeal to nationalist sentiment following the June war with Israel.
For over forty years, the theocracy purged ancient Persian history from schoolbooks, replacing it with post-Islamic narratives. But after the 12-day conflict with Israel, officials have turned to the distant pre-Islamic past to rally a divided society.
From murals of ancient kings and soldiers to patriotic songs added to Shi’ite mourning ceremonies performed before Supreme Leader Ali Khamenei, Tehran now embraces imagery once deemed heretical by its own revolutionary ethos.
'Kneel before Iran' campaign
Tehran’s Revolution (Enghelab) Square was the scene of an unusual spectacle on Friday as officials unveiled a massive bronze statue depicting Roman Emperor Valerian kneeling in submission before Sassanid King Shapur I, commemorating Iran’s victory at the Battle of Edessa (260 AD).
The event was held under the slogan “Kneel before Iran,” part of what authorities describe as a campaign to project “national unity and historical pride” following the June war with Israel.
Tehran Mayor Alireza Zakani, a staunch ultraconservative, said on X: “Enmity with Great Iran can only end in kneeling before this historic nation.”
Municipal official Davood Goodarzi said the installation would be accompanied by visual displays depicting “other victories of Iranians over foreign aggressors,” including the defeat of British forces by local commander Rais-Ali Delvari, Mirza Kuchak Khan’s resistance against Russian troops, and Surena’s triumph over Rome at the Battle of Carrhae in 53 BCE.
The goal, Goodarzi said, is “strengthening concepts such as national dignity, social unity, and Iranian identity.”
The statue, he said, would remain temporarily at Revolution Square before being moved to a city gateway “where it will stand as the first emblem of Iran before diplomats and foreign visitors.”
Unveiled women were allowed to attend the unveiling ceremony—an uncommon scene at events organized by Tehran’s ultra-hardline municipality.
The turn to the pre-Islamic past
The sharp reversal also recalls remarks once made by Khamenei. In a 2011 speech, he asserted that “all the great military victories of this nation came after Islam,” dismissing pre-Islamic accounts as “things that are not documented.”
In 1987, he had said that prophets triumphed over kings such as Cyrus and that “nothing remains of these monarchs in history but names remembered with derision.”
Nevertheless, pro-government social media accounts have now gone so far as to circulate posters equating Khamenei himself with Shapur, showing him standing with a staff as Benjamin Netanyahu and Donald Trump kneel before him. The caption reads: “You will kneel before Iran.”
'Hypocrisy'
Pro-government figures have hailed the move as a patriotic success. Conservative political reporter Hossein Saremi posted: “Today’s grand Iranian gathering showed that people and the state share one essence: Iran itself. Nothing can take our homeland away.”
Others, however, called the spectacle “hypocrisy.” Journalist Gholamhossein Pashaei wrote on X: “Every year you close Pasargadae to stop people from celebrating Cyrus Day, yet you unveil Shapur’s statue in Enghelab Square with drums and fireworks during Fatimiyya (mourning period)!”
Dissident commentator Hamid Asafi called the ceremony “a perfect snapshot of the Islamic Republic’s contradictions.”
On Telegram he wrote: “A week ago they closed Cyrus’s tomb out of fear of the crowds, and now they glorify Shapur in the same breath. The Islamic Republic fears living history but poses for selfies with its corpse.”
He added: “They know people no longer respond to rosaries and sermons. That’s why they’ve brought history back to the stage—in a controlled costume. If they can’t erase the past, they’ll try to own it.”
The irony deepened as UNESCO formally recognized Cyrus’s Charter as one of the earliest human-rights documents.
President Masoud Pezeshkian wrote on X: “Iran, the cradle of dialogue, justice, and coexistence, can still inspire peace today.”
Users swiftly replied, questioning how such pride could coexist with a government that blocks access to Cyrus’s tomb each year to those wishing to visit it on his birthday.