Actress Fariba Naderi (left) and her friend and colleague Narges Mohammadi
A viral celebrity interview has reignited debate in Iran over class privilege and widening social divides, exposing deep resentment toward wealth and the growing gulf between everyday struggle and elite detachment.
The interview clip featuring actress Fariba Naderi on the weekly YouTube show Pump went viral in Iran within hours of streaming, sparking backlash over her comments on class divides and privilege in Tehran’s affluent northern neighborhoods.
The entertainment program, streamed on YouTube and several domestic platforms, quickly drew 900,000 views on YouTube alone—despite the site being officially blocked in Iran.
Naderi, who won the Crystal Simorgh for Best Actress at last year’s Fajr Film Festival, made lighthearted remarks about the class and lifestyle of another actress and close friend, Narges Mohammadi. What she intended as humor was widely perceived as tone-deaf amid worsening economic hardship.
Fariba Naderi (right) and her friend and colleague Narges Mohammadi
“There's a big class difference (between Narges and I),” she said with a grin. “But class differences don’t matter to me... We live in Shahid Fallahi (the upscale neighborhood of Zafaraniyeh), and they live below Vanak Square (in northern Tehran).”
She added that for people like her, “below Vanak” meant paeen-shahr — a phrase used for lower-class districts of Tehran, though Vanak Square itself is considered upscale.
Host Amir-Hossein Qiyasi encouraged the joking tone, but many viewers saw her remarks as glorifying privilege and reinforcing the city’s “uptown versus downtown” divide.
The outrage beyond the joke
The clip quickly became a symbol of elitism and cultural detachment among Iran’s celebrities. Politicians, journalists, and critics from across the spectrum joined the debate.
The state-run ISNA news agency noted that even humor about class now provokes collective anger in a society where inequality is deeply felt. “Tangible economic hardship and the lived experience of inequality have made even jokes about wealth sound like arrogance.”
Fariba Naderi on Pump YouTube show
Conservative commentator Farhad Rezazadeh wrote: “Class difference is not just an economic reality but the moral decline of a nation. Whoever glorifies it shares in its corruption.”
“Thank Fariba Naderi—no one could have so simply shown how deep Iran’s class divide has become… There’s a gulf between privilege and survival,” reformist journalist Davoud Heshmati remarked on X.
A deeper anxiety over inequality
Naderi’s supporters say she was merely joking and that decades of economic disparity cannot be blamed on an actress. They argue the backlash shows a tendency to scapegoat celebrities rather than confront systemic inequality.
Others, however, saw her comments as trivializing hardship and exposing simmering resentment beneath Iran’s economic stagnation.
Journalist Rasoul Asadzadeh wrote that the controversy evokes memories of corruption and humiliation in daily life: “It’s a reminder of the humiliation of begging for school tuition, taking a second job to pay rent, working extra hours for dental costs, and the crushing load we Iranians—men and women alike—carry just to live with dignity.”
Critics also tied the outrage to Iran’s broader economic trajectory. Some users cited Ayatollah Khomeini’s 1979 promise that his revolution would “turn the slum dwellers into palace dwellers.”
Despite Iran’s per-capita GDP roughly doubling since then, chronic inflation and soaring living costs have made ordinary Iranians poorer and eroded the middle class.
“In a country where inflation has hit unprecedented levels and the middle class—the stabilizing pillar of any society—has practically vanished, jokes about class difference are not funny. They are disrespectful to people’s pain,” journalist Azadeh Mokhtari posted on X.
She added: “A society where living costs crush citizens doesn’t need laughter at its own suffering—it needs empathy and a reflection of reality. Turning inequality into comedy only normalizes injustice.”