Iran International
As Mojtaba Khamenei’s first public message was delivered Thursday following days of absence, Iranian newspapers and semi-independent websites moved to reinforce his image as a wartime leader.
The statement, read aloud by a state television anchor over a still photograph of the new leader, called for continued military resistance and said the Strait of Hormuz should remain a tool of pressure.
“The demand of the masses of the people is the continuation of effective and regret-inducing defense,” the message said. Khamenei has remained largely absent from public view amid persistent questions about his health and whereabouts and unconfirmed reports he was hospitalized with injuries.
In their Wednesday, March 11 editions, newspapers and websites had already begun shifting their focus from the mechanics of succession to projecting authority during an active conflict. The pivot came despite the information blackout inside Iran and Mojtaba’s continued silence at the time.
In the first two days after Ali Khamenei’s death on February 28, coverage largely emphasized Mojtaba’s religious credentials and lineage. By midweek, however, newspapers and websites had turned toward portraying him primarily as a wartime commander.
Continuity and defiance
Kayhan, closely linked to the former leader’s office, referred to him as “the general of the revolution,” highlighting his long-standing but largely hidden ties to the IRGC.
Conservative outlets and several mainstream websites dropped the respectful title ‘Agha’ (sir/master) traditionally used for the son of an ayatollah. Some instead adopted ‘Imam’ or ‘Ayatollah’, reflecting his rapid elevation to the highest clerical and political rank.
Front pages were dominated by pledges of allegiance from military commanders, clerics, bureaucrats and cultural figures.
The Tehran Times reinforced the continuity narrative with its headline, “Trump is gone, Khamenei remains,” responding to Donald Trump’s earlier remark that the new leader “would not last long.”
Moderate and reformist outlets such as Etemad offered cautious backing, framing the hereditary succession as a stabilizing step that prevented a dangerous power vacuum during wartime.
Mentions of dissent or possible unrest were absent, with coverage unfolding inside a tightly controlled information environment.
Manufactured unity
Hardline outlets such as Kayhan and Tasnim framed the succession as a strategic defeat for the United States and Israel, arguing that Ali Khamenei’s killing was meant to trigger systemic collapse and that Mojtaba’s swift appointment demonstrated the system’s resilience.
Some columnists also sought to recast Mojtaba as a capable executive, describing him as a “silent reformer” suited to confront corruption inside the state.
Official websites and IRGC-affiliated Telegram channels amplified the message with pledges of loyalty from generals, clerics and even former political rivals such as Ali Larijani.
Wartime iconography—including posters merging the faces of Khomeini, Ali Khamenei and Mojtaba—reinforced a narrative of continuity and unity.
State media repeatedly warned that public skepticism at this stage could amount to collaboration with the “Zionist enemy,” underscoring the narrow space for dissent as the new leadership consolidates power.
Tehran’s unveiling of a towering statue depicting the Roman Emperor Valerian kneeling before pre-Islamic Persian King Shapur I has renewed criticism of the Islamic Republic’s appeal to nationalist sentiment following the June war with Israel.
For over forty years, the theocracy purged ancient Persian history from schoolbooks, replacing it with post-Islamic narratives. But after the 12-day conflict with Israel, officials have turned to the distant pre-Islamic past to rally a divided society.
From murals of ancient kings and soldiers to patriotic songs added to Shi’ite mourning ceremonies performed before Supreme Leader Ali Khamenei, Tehran now embraces imagery once deemed heretical by its own revolutionary ethos.
'Kneel before Iran' campaign
Tehran’s Revolution (Enghelab) Square was the scene of an unusual spectacle on Friday as officials unveiled a massive bronze statue depicting Roman Emperor Valerian kneeling in submission before Sassanid King Shapur I, commemorating Iran’s victory at the Battle of Edessa (260 AD).
The event was held under the slogan “Kneel before Iran,” part of what authorities describe as a campaign to project “national unity and historical pride” following the June war with Israel.
Tehran Mayor Alireza Zakani, a staunch ultraconservative, said on X: “Enmity with Great Iran can only end in kneeling before this historic nation.”
Municipal official Davood Goodarzi said the installation would be accompanied by visual displays depicting “other victories of Iranians over foreign aggressors,” including the defeat of British forces by local commander Rais-Ali Delvari, Mirza Kuchak Khan’s resistance against Russian troops, and Surena’s triumph over Rome at the Battle of Carrhae in 53 BCE.
The goal, Goodarzi said, is “strengthening concepts such as national dignity, social unity, and Iranian identity.”
The statue, he said, would remain temporarily at Revolution Square before being moved to a city gateway “where it will stand as the first emblem of Iran before diplomats and foreign visitors.”
Unveiled women were allowed to attend the unveiling ceremony—an uncommon scene at events organized by Tehran’s ultra-hardline municipality.
The turn to the pre-Islamic past
The sharp reversal also recalls remarks once made by Khamenei. In a 2011 speech, he asserted that “all the great military victories of this nation came after Islam,” dismissing pre-Islamic accounts as “things that are not documented.”
In 1987, he had said that prophets triumphed over kings such as Cyrus and that “nothing remains of these monarchs in history but names remembered with derision.”
Nevertheless, pro-government social media accounts have now gone so far as to circulate posters equating Khamenei himself with Shapur, showing him standing with a staff as Benjamin Netanyahu and Donald Trump kneel before him. The caption reads: “You will kneel before Iran.”
'Hypocrisy'
Pro-government figures have hailed the move as a patriotic success. Conservative political reporter Hossein Saremi posted: “Today’s grand Iranian gathering showed that people and the state share one essence: Iran itself. Nothing can take our homeland away.”
Others, however, called the spectacle “hypocrisy.” Journalist Gholamhossein Pashaei wrote on X: “Every year you close Pasargadae to stop people from celebrating Cyrus Day, yet you unveil Shapur’s statue in Enghelab Square with drums and fireworks during Fatimiyya (mourning period)!”
Dissident commentator Hamid Asafi called the ceremony “a perfect snapshot of the Islamic Republic’s contradictions.”
On Telegram he wrote: “A week ago they closed Cyrus’s tomb out of fear of the crowds, and now they glorify Shapur in the same breath. The Islamic Republic fears living history but poses for selfies with its corpse.”
He added: “They know people no longer respond to rosaries and sermons. That’s why they’ve brought history back to the stage—in a controlled costume. If they can’t erase the past, they’ll try to own it.”
The irony deepened as UNESCO formally recognized Cyrus’s Charter as one of the earliest human-rights documents.
President Masoud Pezeshkian wrote on X: “Iran, the cradle of dialogue, justice, and coexistence, can still inspire peace today.”
Users swiftly replied, questioning how such pride could coexist with a government that blocks access to Cyrus’s tomb each year to those wishing to visit it on his birthday.